Le vrai Gould qui ne peut s'empêcher de chanter en jouant....https://www.youtube.com/watch?v=IrJjPYi_vhM

This vid fools no one. This ain’t gould

https://www.youtube.com/watch?v=-xglOaDKKUIThis sounds more like Gould's.

en interprète majeur!! excellent , le plaisir est là, merci à vous

Absolument pas Glenn Gould !

this is definitely Glenn Gould

This isn't Glenn Gould !

Glenn Gould doit se retourner dans sa tombe en entendant cette horreur d'interprtétation, cette soupe, cette mélasse ! quel scandale d'associer son nom à cette guimauve !!!

Off with your head!

Aha, I don't think this is Gould.

Bach ? irremplaçable ...sublime moment.G

Ben BRAVO j adore encore & encore

io non suono così bene...😓😫😯🤣

Beutiful

Hi, i would like use your interpretation for a short movie. If it is possible, please contact me.

quand j entends ce prelude de bach..........

Gould would never play it like this.

The real Gould who sings while playing ....https://www.youtube.com/watch?v=IrJjPYi_vhM

affreux!!!

Glenn Gould?????!!!!!

Not only is this NOT Glenn Gould playing but this piece is NOT Bach. This has an added measure (around 1:14 mark) which is incorrect. If you have the sheet music - which you can use the internet to obtain, you will see that this piece has 37 measures, which is NOT correct.

Wrong. There are different versions. This version includes the measure that's sometimes left out. That's all.

Why would anyone leave out one measure (sometimes) in the middle of a classical piece that was written out for all to see?

Supervicious coz they didn't like it

That's the Schwenke measure, added between the original 22nd and 23rd measures. It's also in Gounod's meditation.

It does sound pretty strange and out of place.EDIT: I checked the patterns between measures and it messes the whole thing up, it definetely does not belong in the piece

Não deve mesmo ser Gould. Há um compasso equivocado, a mais na execução.

Olá, Egon. Tudo bem? O compasso a mais é o "O Compasso de Schwencke". A melodia de Gounod foi composta tendo o prelúdio de Bach como base e com esse compasso a mais. Sem ele, a melodia não encaixa. No entanto, não foi Gounod quem o acrescentou, mas Schwencke, que substituiu o filho de Bach como diretor musical de Hamburgo. O prelúdio original é mais bonito e audacioso nessa passagem do compasso 22 ao 23. Contudo, tocá-lo e cantar a Ave Maria de Charles Gounod é uma verdadeira oração, que vale o compasso intruso. (na minha modesta opinião ) Grande abraço.

not his style!!! not his piano, he plays in semi staccato!

Weird!  This is NOT Glenn playing!

Agreed. And that piano! Ugh: it reminds me of Yamaha's early attempts, when they tried to penetrate the market by putting out these absurdly sharp and echoey machines.

This is not Glenn Gould playing. His style of playing is completely different (with a different pace and staccato).