Hele, hele, hele, hele, hele yarHele, hele, hele, hele, hele yarHele, hele, hele, hele, hele yarHele, hele, hele, hele, hele yarDilber kalk gidelim fakirhaneyeİtiraz eyleme gel yavaş yavaşGözümden akıttın kan ile yaşıZülüfün eylesin gel yavaş yavaşHele, hele, hele, hele, hele yarHele, hele, hele, hele, hele yarHele, hele, hele, hele, hele yarHele, hele, hele, hele, hele yarBir gün değil, beş gün değil, yüz gündürDeste zülüf al yanak öpülürMelhem almaz yaralarım algındırDerdimin lokmanı gel yavaş yavaşHele, hele, hele, hele, hele yarHele, hele, hele, hele, hele yarHele, hele, hele, hele, hele yarHele, hele, hele, hele, hele yar

Yalnız sonunda fena kopmuş makara :)))))) krallarrrrr

Buyuksun baba

"The mood all changes with the next track, “Hele Yar,” an acoustic re-arrangement of a Turkish ballad from the 17th Century by the Anatolian troubadour, Karacaoglan. The title translates into either ‘Special Lover’ or ‘Let’s Go, Girl!’ and it “sounds” exactly like both -- it’s the most happy-go-lucky moment of the album as twin baglamas construct a dance rhythm behind lilting bass and scant drums. For several cycling verses they court a young lady as all three wander through foothills, place a flower behind her ear and then chase each other down by the seaside, ahhh... This romantic piece sees contributing background vocals by Sedat the drummer and their “blue angel” Meftun, and after endless repetitions of this dance of love and life, they all can’t take it anymore and it all breaks down in laughter." from http://www.headheritage.co.uk/unsung/thebookofseth/erkin-koray-elektronik-turkuler

Müziğin girisi "zorba the grek'de" ki Antony Quin'in oynadığı yunan şarkısına çok benziyor..

müziktede filmlerde'de esinlenme çok var